But it is the beauty of the novel’s prose, the great care it takes with characters major and minor, and the relentless but elegant thrust of its narrative, that puts Madame Bovary in a class by itself. Flaubert’s refusal to condemn his adulterous heroine, a woman trapped as much by circumstance as by her own boundless desires, scandalized nineteenth-century France and resulted in a trial on charges of obscenity. This indelible portrait of a beautiful woman’s aching lust for more-more romance, more glamour, more fun-and her resulting tragic demise, is widely considered one of the finest novels ever written. In this period film set in a 19th-century French village, it's clear that, as a married woman, Emma has few options.One of the world’s most celebrated novels, soon to be a major motion picture starring Mia Wasikowska as is her crushing despair when her lovers abandon her. We can see where this is leading - a string of passionate extramarital encounters - long before she realizes it herself her excitement at finally finding romance is infectious and deeply felt. That's the main reason Madame Bovary doesn't work very well: It simultaneously has too much (of Emma's caddish lovers) and not enough (of the usurious merchant who drives her into debt).Įmma Bovary begins married life full of enthusiasm and optimism, but she quickly realizes she's signed on for a life that isn't what she was expecting. Even at two hours, the film feels like things had to be cut out of the original story, with parts of the plot seemingly arising out of nowhere. While this is the part of the story that leads to Emma's tragic end, the details and fiscal entanglements feel secondary to her romantic life, diluting their potency. The film's emotional encounters are built up better than the financial subplot, which leaves Emma and her husband neck-deep in debt.
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